In this dissertation, I migrate through Houston Hip Hop culture from 1991-2000 to understand the history and legacy of DJ Screw, Screw Tapes, and Screw and Chopped style. The purpose of this project is to understand the relationship between local communities and the Global Hip Hop Nation (GHHN) by migrating through the borderland spaces that exists both physically and metaphorically. Using Hip Hop practices and knowledges, this dissertation understands Hip Hop as a culture made up of multiple Hip Hop Ciphers. Locating borderlands between ciphers by purposefully migrating between them, this study combines the analysis of mixtapes, archival material, and interviews, this project works to create an emic view of Hip Hop as a culture that has always, and continues to create, re-imagine, and sustain knowledge and history through technological innovation, writing, and community building. This dissertation focuses on Houston because of DJ Screw and his development of a style (Screwed and Chopped) and mixtape series (Screw Tapes) that continues to impact and define a community’s identity. Through Screw Tapes, DJ Screw and the Houston Hip Hop community negotiation the relationship between Hip Hop and local styles in the production of diverse forms of communication.
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